The most dramatic of these, in which the A-line idea was given its ultimate expression, was the Spring 1958 "Trapeze Line" introduced by Dior's successor, Yves Saint Laurent, in his first collection for the house of Dior. The A-line was one of a series of controversial mid- to late-1950s looks that de-emphasized the waist and brought an easier, more casual look to fashion chemise and sack dresses, loose tunics, and boxy suits were shown by Dior, but also by other couturiers, most notably Balenciaga and Chanel. Though the example set by the A-Line collection was not immediately followed, and Christian Dior explored other ideas in subsequent collections, the idea of the A-shape was a success, and the term quickly entered common usage. 95) was a fingertip-length flared jacket worn over a dress with a very full, pleated skirt while it was clearly an A-shape, this silhouette was quite different from what was later meant by "A-line." The signature look of this collection (the "most wanted silhouette in Paris," according to Vogue, 1 March 1995, p. The most influential of these was the "A-Line" collection, characterized by narrow shoulders and a smooth, trumpetlike flare toward the hem the elongated waistline, either high under the bust or dropped toward the hips, formed the crossbar of the A. Had been the dominant silhouette since his 1947 "Corolle Line" (or "New Look") collection. In 19, he designed three closely related collections, based on the shapes of the letters H, A, and Y, which marked a move away from the strongly emphasized, nipped-in waist that Dior obliged by organizing each new collection around a specific idea, and giving each a name that described or evoked that idea. The term first entered the vocabulary of fashion via the couturier Christian Dior's collection for Spring 1955, which he named the "A-Line." In the 1950s, the international fashion press looked to Paris, and Dior in particular, to set the direction fashion would take each season. The fronts of A-line garments are often cut in one piece, with darts for fitting, and the skirts often have no waistband. More specifically, it is understood to mean a structured garment, which stands away from the body to form the sides of the A. You can still keep it fun though with stretch glitter fabric and thigh-high slits.įlatter yourself a little bit and wear an A-line dress from Ellie Wilde to prom.The term "A-line" is used to describe a dress, skirt, or coat with a triangular silhouette, narrow and fitted at the top and widening out from the bust or waist in a straight line to the hem. With long A-line prom dresses, your look becomes a little more sophisticated because of the dramatic length. With short A-line prom dresses, you'll want to dance all night because the short and full skirt will be showing off some leg. The great thing about A-line prom dresses from Ellie Wilde is that they look killer in both short and long lengths. A-line prom dresses hide areas you might not be super comfortable showing off which is why it's so universally loved. This silhouette creates a slimming effect which is super flattering on most body types. It's a silhouette that's never gone out of style, so you know your classically cool vibe will pair perfectly with it.Ī-line prom dresses are made to be slimmer on top and wider toward the bottom of the dress. Tighter on top with a fuller skirt, A-line prom dresse accentuate your waist and adds a little drama with a slightly flared skirt. An A-line prom dress from Ellie Wilde is always a good choice.
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